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Each of these texts may be thought of as a \u003ci\u003ecritical novel\u003c\/i\u003e, a form that calls upon us to engage with it in a critical manner, promising that meaning will arise in the articulation of writing and reading.\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003ci\u003eFrench Fiction Today\u003c\/i\u003e focuses on the French novel in the twenty-first century, examining a series of works that are exemplary of broader currents in the genre. Each of these texts wagers insistently upon our willingness to speculate about literature and its uses, in an age when the value of literature is no longer taken as axiomatic. Each of these texts may be thought of as a \u003ci\u003ecritical novel\u003c\/i\u003e, a form that calls upon us to engage with it in a critical manner, promising that meaning will arise in the articulation of writing and reading. Each of these authors participates in a debate about what the novel is as a cultural form in our present―and about what it may become, in a future that begins right \u003ci\u003enow\u003c\/i\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eWarren Motte\u003c\/strong\u003e is College Professor of Distinction at the University of Colorado and a Chevalier in the Order of Academic Palms. He specializes in contemporary French literature, with particular focus upon experimentalist works that put accepted notions of literary form into question. His recent books include \u003ci\u003eFables of the Novel: French Fiction since 1990\u003c\/i\u003e (2003),\u003ci\u003e Fiction Now: The French Novel in the Twenty-First Century\u003c\/i\u003e (2008), and \u003ci\u003eMirror Gazing\u003c\/i\u003e (2014).\u003c\/p\u003e","brand":"Dalkey Archive Press","offers":[{"title":"Default Title","offer_id":41048215486619,"sku":"9781943150168","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/2915\/9067\/products\/French-Fiction-FRONT1-scaled.jpg?v=1630705744"},{"product_id":"caring-for-japanese-art-at-the-chester-beatty-library","title":"Caring for Japanese Arts at the Chester Beatty Library","description":"\u003cp\u003e\u003ci\u003eCaring for Japanese Arts at the Chester Beatty Library\u003c\/i\u003e is a memoir of Yoshiko Ushioda. The story begins in 1960, when she traveled from Tokyo with her young son to join her husband, a research-fellow at University College Dublin. Beginning as a volunteer at the Chester Beatty Library in 1970, she would go on to become curator and accompany masterpieces loaned by The Chester Beatty Library to special exhibitions all around the world.\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003ci\u003eCaring for Japanese Arts at the Chester Beatty Library\u003c\/i\u003e is a memoir of Yoshiko Ushioda, looking back at more than five decades of life in Dublin. The story begins in 1960, when she traveled from Tokyo with her young son to join her husband, a research-fellow at University College Dublin. Beginning as a volunteer at the Chester Beatty Library in 1970, she would go on to become curator and accompany masterpieces loaned by The Chester Beatty Library to special exhibitions all around the world. Both inspiring and heartfelt, Mrs. Ushioda’s memoir will be of interest to both lovers of Japanese Art and those interested in Irish-Japanese relations.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eYoshiko Ushioda\u003c\/strong\u003e was born in 1931 in Mito, Japan, and moved to Dublin in 1960. In 1970, she began volunteering at the Chester Beatty Library, and was promoted to curator of the Japanese Arts Collection in 1980. She retired in 1996, and currently lives in Dublin with her huband.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEtsuko Kanamori\u003c\/strong\u003e was born in 1959 in Nagasaki and has worked as an interpreter and translator for Ericsson Japan, Fukuoka, Shin-Yokohama and Yokosuka Research Park. She currently lives in Dalkey, Ireland.\u003c\/p\u003e","brand":"Dalkey Archive Press","offers":[{"title":"Default Title","offer_id":41048215847067,"sku":"9781628971842","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/2915\/9067\/products\/81L-m0vBpwL.jpg?v=1630705737"},{"product_id":"minuit","title":"Minuit","description":"\u003cp\u003e\u003cstrong\u003eBy Steven D. Spalding\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: 9781628973990\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication Date: 6\/6\u003cspan data-mce-fragment=\"1\"\u003e\/23\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn investigation into the formation of French literary culture through the lens of publishing house Editions de Minuit, responsible for the \"New Novel\" and \"école de Minuit\" which catapulted its authors to international fame. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"How does a novel accrue value? How do certain new and unknown authors and their works make their way from obscurity into the pantheon of the greats, or—at least—the firmament of the stars?\" \u003cem\u003eMinuit \u003c\/em\u003eexamines the role played by the French publishing house Editions de Minuit in altering the conception of literary France, not once but twice. The history of Les Editions de Minuit is an integral part of the history of the literary field; in \u003cem\u003eMinuit\u003c\/em\u003e, Spalding's work captures many of the cultural dimensions of literary production and dissemination at the height of France’s post-war intellectual and literary effervescence, and again, in the more recent period, when Minuit became the vehicle for French literature’s ‘postmodern’ turn.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBiographical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteven D. Spalding is an assistant professor of French at Christopher Newport University with a Ph.D. from the University of Michigan and a D.E.A. from the Université de Paris VIII. He is the editor of the Transfers special section on Railways and Urban Cultures (2014) and coeditor of the books \u003cem\u003eTrains, Mobility and Culture\u003c\/em\u003e (2012) and\u003cem\u003e Trains, Literature and Culture\u003c\/em\u003e (2012).\u003c\/p\u003e","brand":"Dalkey Archive Press","offers":[{"title":"Paperback","offer_id":41223698874523,"sku":"9781628973990","price":35.95,"currency_code":"USD","in_stock":true},{"title":"eBook","offer_id":41223698907291,"sku":"9781628974201","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/2915\/9067\/products\/9781628973990_FC.jpg?v=1636740451"},{"product_id":"monogamy","title":"Monogamy: Its Songs and Poems","description":"\u003cp\u003e\u003cstrong\u003eBy Robert Von Hallberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: 9781628974003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003ePublication Date: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e3\/14\/23\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonogamy elaborates an ideology of romance from extraordinary poems and songs, one by one. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePoems and popular songs are still the main medium for preserving the rules of romance. Each chapter is a meditation on one of eight commonplaces about love: that it makes one monogamous, sentimental, vulnerable; that its force is immediate and transformative; or that it is a fickle force, but cannot be bought, and yet endures. Strong poets and lyricists bend these notions, as lovers do too. Great poems and songs come from interstices between celebrated commonplaces, felt desires and second-thoughts. The Book of Love is heterogeneous, complicated. Some love poems reach significant numbers through books and anthologies, and eventually classroom textbooks, and are held in memory by generations of admirers. Many popular songs, however, have reached extremely large audiences, beginning with Broadway musicals, and continuing in the recordings of later jazz vocalists. They are not read, but they are firmly lodged in memory. They are the only poems known by most audiences. Canonical poems are imitated by aspiring poets and versifiers. The actual verse culture is layered with light verse, song lyrics, and Shakespeare’s sonnets. To understand what poems effectively teach—about romance, in particular—one should attend closely to songs too, particularly in the U.S. since 1920.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBiographical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert von Hallberg\u003c\/strong\u003e is a professor of literature at Claremont McKenna College and a fellow of the American Academy of Arts and Sciences. He is the author of five previous books, including \u003cem\u003eLyric Powers \u003c\/em\u003eand \u003cem\u003eThe Maltese Falcon to Body of Lies: Spies, Noirs, and Trust\u003c\/em\u003e.\u003c\/p\u003e","brand":"Dalkey Archive Press","offers":[{"title":"Paperback","offer_id":41223712833691,"sku":"9781628974003","price":35.95,"currency_code":"USD","in_stock":true},{"title":"eBook","offer_id":41223712866459,"sku":"9781628974263","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/2915\/9067\/products\/Monogamy.jpg?v=1633920704"},{"product_id":"on-the-theory-of-prose","title":"On the Theory of Prose","description":"\u003cp\u003e\u003cstrong\u003eBy Viktor Shklovsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTranslated by Shushan Avagyan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAfterword by \u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eLyn Hejinian\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: 9781564787699\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Date: 12\/7\/2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eOn the Theory of Prose\u003c\/em\u003e remains one of the twentieth century’s most significant works of literary theory. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNot only does the book anticipate the rise of structuralism and poststructuralism, but it also poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Founded on the concept of \u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eostranenie \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eor \u003c\/span\u003e“making strange,” it lays bare the inner workings of fiction—especially the works of Cervantes, Tolstoy, Sterne, Dickens, Bely and Rozanov—and imparts a new way of seeing, of reading, and of interacting with the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther Books by Viktor Shklovsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/zoo?_pos=2\u0026amp;_sid=d3c95dd3b\u0026amp;_ss=r\"\u003e\u003cem\u003eZoo, Or Letters Not About Love\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/third-factory?_pos=3\u0026amp;_sid=d3c95dd3b\u0026amp;_ss=r\"\u003e\u003cem\u003eThird Factory\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/literature-and-cinematography?_pos=4\u0026amp;_sid=d3c95dd3b\u0026amp;_ss=r\"\u003e\u003cem\u003eLiterature and Cinematography\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/the-hamburg-score?_pos=5\u0026amp;_sid=d3c95dd3b\u0026amp;_ss=r\"\u003e\u003cem\u003eThe Hamburg Score\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/energy-of-delusion?_pos=7\u0026amp;_sid=d3c95dd3b\u0026amp;_ss=r\"\u003e\u003cem\u003eEnergy of Delusion\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/life-of-a-bishops-assistant?_pos=9\u0026amp;_sid=d3c95dd3b\u0026amp;_ss=r\"\u003e\u003cem\u003eLife of a Bishop's Assistant\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eVIKTOR SHKLOVSKY’S \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOn the Theory of Prose\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a classic. Nearly a century old, it’s still avidly read and discussed in MFA circles, thanks to its author’s meticulous dissection of the devices of fiction, likely more valuable than any of the most recent craft books on the shelves.\" \u003cstrong\u003e\u003cem\u003e—Los Angeles Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Shklovsky’s audacity gave him the freedom to take apart Cervantes and Sterne, Gogol and Tolstoy, with a brilliance that still dazzles ninety years later.\"\u003cstrong\u003e —\u003cem\u003eThe Nation\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Out of Shklovsky’s conviction came critical works of great beauty and complexity, but also several utterly remarkable literary works.\" —\u003cstrong\u003eMartin Riker\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"Shklovsky, who refers to own his style as \"serpentine,\" employs digression, repetition, autobiography and occasional salutations to the reader, confounding one's expectations of how a book of literary criticism should unfold. In doing so, he crafts a true rarity: a superbly written, extended critical study that's capable of inducing a feeling of affection in the reader towards its author.\" \u003cstrong\u003e\u003cem\u003e—The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Clearly there is a happy congruity between Shklovsky's insights and the modern consensus. His observations on various authors and techniques cause one to ponder. A random paragraph causes sudden illumination. This is not a manifesto but the incisive thoughts of a scholar in the quiet of his study. Dalkey Archive Press is to be thanked for making it available again.\" \u003cstrong\u003e\u003cem\u003e\u003cspan\u003e —\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eZYX 9-92\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\"[The] essays published in \u003cem\u003eTheory of Prose\u003c\/em\u003e reveal why Shklovsky might have become the most important literary theorist of our century, had history taken a different course.\"\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e —\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePoetics Today\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\"A rambling, digressive stylist, Shklovsky throws off brilliant apercus on every page. . . . Like an architect's blueprint, it lays bare the joists and studs that hold up the house of fiction.\"\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e —\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMichael Dirda, Washington Post Book World\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\"This 1929 book by one of the founding fathers of Russian formalism is one of the most important works in the history of literary theory\"\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e —\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eChoice\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBiographical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViktor Shklovsky\u003c\/strong\u003e (1893-1984) was a leading figure in the Russian Formalist movement of the 1920s and had a profound effect on twentieth-century Russian literature. Several of his books have been translated into English and are available from Dalkey Archive Press, including \u003cem\u003eZoo\u003c\/em\u003e, or \u003cem\u003eLetters Not about Love\u003c\/em\u003e, \u003cem\u003eThird Factory\u003c\/em\u003e, \u003cem\u003eA Sentimental Journey\u003c\/em\u003e, \u003cem\u003eEnergy of Delusion\u003c\/em\u003e, \u003cem\u003eLiterature and Cinematography\u003c\/em\u003e, and \u003cem\u003eBowstring\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShushan Avagyan\u003c\/strong\u003e translates from Armenian and Russian. She is the translator of Viktor Shklovsky's \u003cem\u003eBowstring: On the Dissimilarity of the Similar\u003c\/em\u003e and other works by Shklovsky from Dalkey Archive Press.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eLyn Hejinian\u003c\/span\u003e\u003c\/strong\u003e (1941-2024)  was an American poet, essayist, translator and publisher. She was a founding member of the Language poets movement and is well known for her landmark work \u003cem\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eMy Life\u003c\/span\u003e\u003c\/em\u003e, as well as her book of essays, \u003cem\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eThe Language of Inquiry\u003c\/span\u003e\u003c\/em\u003e. \u003cspan data-mce-fragment=\"1\"\u003eShe received grants and awards from the California Arts Council, the \u003c\/span\u003eAcademy of American Poets\u003cspan data-mce-fragment=\"1\"\u003e, the Poetry Fund, the \u003c\/span\u003eNational Endowment of the Arts\u003cspan data-mce-fragment=\"1\"\u003e, and the \u003c\/span\u003eGuggenheim Foundation\u003cspan data-mce-fragment=\"1\"\u003e and served as a Chancellor of the Academy of American Poets from 2007 to 2012.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dalkey Archive Press","offers":[{"title":"Paperback","offer_id":41402962575515,"sku":"9781564787699","price":17.95,"currency_code":"USD","in_stock":false},{"title":"eBook","offer_id":41402962608283,"sku":"9781628974362","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/2915\/9067\/products\/Theory.jpg?v=1634861916"},{"product_id":"stepping-off-the-edge","title":"Stepping Off the Edge","description":"\u003cp\u003e\u003cstrong\u003eBy Anne McConnell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: 9781628973648\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Date: 03\/09\/2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eStepping Off the Edge\u003c\/strong\u003e\u003c\/em\u003e addresses the question of literary edges and endings in contemporary works of literature from France, the United States, Canada, and Latin America. The book includes discussion of works by nine different authors, including Anne Carson, Marie NDiaye, Paul Auster, and César Aira. It considers the way that specific texts identify and interrogate textual boundaries, and also draw attention to questions of closure. Each of these texts also reflects on the way we experience and write about edges and endings in our lives.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther Books by Anne McConnell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dalkeyarchive.store\/products\/approaching-disappearance?_pos=1\u0026amp;_sid=1051e4fe8\u0026amp;_ss=r\"\u003e\u003cem\u003eApproaching Disappearance\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBiographical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnne McConnell\u003c\/strong\u003e is a Professor in the English Department at West Virginia State University. She specializes in contemporary literature and critical theory from France, Latin America, and the United States. She published \u003cem\u003eApproaching Disappearance\u003c\/em\u003e with Dalkey Archive Press in 2013, focusing on the work of Maurice Blanchot. She currently teaches world literature, critical theory, and writing at West Virginia State University.\u003c\/p\u003e","brand":"Dalkey Archive Press","offers":[{"title":"Paperback","offer_id":41406535270555,"sku":"9781628973648","price":29.95,"currency_code":"USD","in_stock":true},{"title":"eBook","offer_id":41406535303323,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/2915\/9067\/products\/Edge.jpg?v=1635036456"},{"product_id":"counterclaims","title":"Counterclaims: Poets and Poetries, Talking Back","description":"\u003cp\u003e\u003cstrong\u003eBy H. L. Hix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: 9781628973310\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn\u003cem\u003e\u003cstrong\u003e Counterclaims\u003c\/strong\u003e\u003c\/em\u003e, renowned poet H. L. Hix has amassed the responses of more than one hundred and fifty of his fellow writers, scholars, and artists to a singular problem, simultaneously a set of questions and a call-to-arms: whether the old truths inherent in 20th-century poetics can still be adhered to today, or whether new truths might take their place and what might they be?\u003c\/p\u003e\n\u003cp\u003eThe answers collected in this volume from many of the greatest luminaries of their generation, writers young and old, from diverse backgrounds and cultures, form the basis of a new conversation; a step forward, not toward any one monolithic thesis or manifesto, but toward a new and ever adapting notion of poetry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBiographical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eH. L. Hix\u003c\/strong\u003e's recent poetry collections include \u003cem\u003e\u003cstrong\u003eI'm Here to Learn to Dream in Your Language\u003c\/strong\u003e\u003c\/em\u003e; \u003cem\u003e\u003cstrong\u003eAs Much As, If Not More Than\u003c\/strong\u003e\u003c\/em\u003e; \u003cem\u003e\u003cstrong\u003eFirst Fire, Then Birds: Obsessionals 1985-2010\u003c\/strong\u003e\u003c\/em\u003e; and \u003cem\u003e\u003cstrong\u003eIncident Light\u003c\/strong\u003e\u003c\/em\u003e. He is a Professor in the Department of Philosophy and the Creative Writing Program at the University of Wyoming. 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Even as an experienced reader, I couldn’t do it alone. Because most Stein scholars work on her poetry or short stories, on the more accessible \u003c\/span\u003e\u003ci\u003eThree Lives\u003c\/i\u003e\u003cspan\u003e or \u003c\/span\u003e\u003ci\u003eThe Autobiography of Alice B. Toklas\u003c\/i\u003e\u003cspan\u003e, I was essentially lighting out for the territories, and I needed some fellow travelers to help me sort through what I was reading.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat senior seminar was stimulating and my traveling companions, advanced undergraduates, were strong writers and insightful critics, even though they had little previous experience with modernism. They were always game to tuck in and take on the next 100 pages. They were also, it turned out, ideal colleagues for the trek through Stein’s novel. When, with their prompting, we decided to fill the empty space where this book you have in your hands should have been, they were my models of patient, eager readers for \u003c\/span\u003e\u003ci\u003eAs I Was Saying: A Companion to Gertrude Stein’s The Making of Americans\u003c\/i\u003e\u003cspan\u003e. They became my collaborators. They became the voice of this book, now your own sociable companions through \u003c\/span\u003e\u003ci\u003eTMOA\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy co-author, Janie Sisson, was among those seminar students, as was our collaborator, Emma Hargreaves. Together, we imagined this book into being over two years of work after the seminar ended, re-reading, writing, and meeting once a week to check in. Our fondest hope is that this will serve as your seminar, your community support system for reading \u003c\/span\u003e\u003ci\u003eTMOA\u003c\/i\u003e\u003cspan\u003e. 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